EXISTENTIALISM AND THE DECLINE OF RELIGION AT THE END OF THE nineteenth  blow                  During the nineteenth  speed of light, several(prenominal) ideas were developed about the  change  fix of magnitude  antecedent of religion and the meaning of life.  These ideas were  turn outed or  spurned through and through numerous writings.  Her valet Melvilles  billy goat Budd embraces deity and the  morals of Christianity while  punctuate  couples  surreptitious Stranger reflects and supports the ideas of  existential philosophy and a  even up in religion in the nineteenth century.                Through Billy Budd, Her human Melville expresses his dashing hopes with the decline of   force of religion at the  rest of the nineteenth century.  Philosopher William Barret stated that  worship is no longer the uncontested  fondness and ruler of mans life.Â1  Although Melville accepted this, he still believed that Christianity should  watch to take the largest  position po   ssible in mans life.  He  bodied this idea in Billy Budd.  Within the short story, Melvilles characters and  aspect re bring outed a community which ide altogethery (or so he believed)  bone marrowed itself  approximately religion.  Although the sailors of the Indomitable r atomic number 18ly  manpowertion  perfection, several scriptural allusions help create the parallel symbolism.  Billy represents Christ,  religious  dish up as a moralistic model for others.  Nearly everyone that comes in contact with Billy adores him.  With no perceptible trace of the   crowing about him¦he seemed to accept the spontaneous homage of his shipmates.Â2  When Billy Budd indignantly avenges his conspirator, he is hung.  This extermination of the symbol of   worship may represent what Melville sees  happening throughout the 19th century.  The  men of the Indomitable  are not only heartbroken, but   hesitant; they begin to show signs of a leaderless, revolting (probably mutinous) mob until  triba   l chief Vere sends them back to work.  For s!   uddenly the drumbeat to quarters, which familiar  levelheaded happening at least twice every day, had upon the present  make a signal peremptoriness in it.Â3  Melville  thus feels that with the decline of Christianity, man is becoming lost in  terms of  theology and purpose.                With The Mysterious Stranger,  note  dyad represents and supports the ideas of  existentialist philosophy and  handout of power of religion by symbolically criticizing mankind of the  slowly 19th century.  The Mysterious Stranger takes place in 1590, a  cartridge holder when religion still acted as the center of peoples lives.  Religion to  knightly man was¦a solid  mental matrix  adjoin the individuals life from birth to death, sanctifying and enclosing all its ordinary and  ungodly occasions in sacrament and ritual.Â4   soil Twain confirms this way of life for the community of Austria in the opening of Mysterious Stranger:  Mainly we were to be  frank Christians; to revere the Virgin,    the Church, and the saints  to a higher place everything¦Knowledge was not good for the common people, and could make them  dissatisfy with the lot which God had appointed for them.Â5  This already controverts the  rudimentary fundamentals of existentialism.   all essential knowledge relates to existence¦ fury on  individuality¦.absurdity is manifest in Christianity.Â6  The  incident the Twain advocates existentialism becomes apparent via the character of monster.  Satan has the  cleverness to say and do as he pleases, thus  straightway representing the voice of Twain.  Satan tells Nicholas at one point, Manners are a  fictionÂ7 and all humans  vex from  good Sense.  Moral Sense is somewhat explained as man naively  trying to live by the morals of Christianity.  Existentialism, on the other hand, documents that these morals clash in certain instances: ¦the inutility of moral rules to a man in an extreme situation.Â8  Satan  afterward explains, As a race¦you  omit sense a   nd courage.Â9  This disparagement and mockery of God!   -worshipping humans is not the hypocrisy of a moral-enforcing angel; it is Twain stating that the morals of Christianity are causing man to regress.  Thus, by writing The Mysterious Stranger, Mark Twain voices his support of the popular belief of existentialism and the decreasing power of religion.                 Billy Budd and The Mysterious Stranger represent the end of the 19th century by embodying the ideas of decline of religion and  travel interest in existentialism.

  While Melville advocated a return to orthodoxy, Twain may  film suggested agnosticism to prevent man from  move backwards as a race.  The    contrasting philosophies in these  2 literary  kit and boodle reflect the evolution of thinking at the turn of the century.             ENDNOTES                  1William Barret,  unreasoning Man ( new-fangled York: Doubleday & Company, Inc., 1958) 24.                 2Herman Melville, Billy Budd ( unused York:  majuscule  straightforwardly Press, 1972) 5.                 3Melville 90.                 4Barret 25.                 5Mark Twain, The Mysterious Stranger, major(ip) American Writers,  3rd Edition, ed. Howard Mumford Jones (New York: Harcourt Brace and Company, 1955) 1.                 6Anthony Manser, Existentialism,  dictionary of the History of Ideas, ed. Philip P. Wiener, (New York: Charles Scribners Sons, 1973) vol. 2, 189.                 7Twain 4.                 8Manser 190.                 9Twain 27.                        BIBLIOGRAPHY /  kit and caboodle CITED   Barret, William.  Irration   al Man.  New York: Doubleday & Company, Inc., 1958.  !   Huizinga, Johan.  Homo Ludens.  capital of Massachusetts: The beacon light Press, 1950.  Manser, Anthony.  Existentialism.  Dictionary of the History of Ideas.  Ed. Philip P. Wiener.  New York: Charles Scribners Sons, 1973. vol.II. 189-195.  Melville, Herman.  Billy Budd.  New York: Washington Square Press, 1972.  Michelson, Bruce.  Deus Ludens: The Shaping of Mark Twains Mysterious Stranger.                Mark Twain,  novel Critical Views.  Ed. Harold Bloom.  New York: Chelsea                House Publishers, 1986.  107-121.  Thomas A. Bailey et al. The American Pagent, eleventh Edition.  New York: Houghton                Mifflin Company, 1998.  Twain, Mark.  The Mysterious Stranger.  Major American Writers, Third Edition.  Ed.                Howard Mumford Jones.  New York: Harcourt Brace and Company, 1955.  1-28.                                        If you want to get a  profuse essay, order it on our website: 
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